The three covers would be interchangeably used across regions when the album was released on CD. Later that year, a third cover would appear on continental European reissues depicting a small pair of silver, traditionally-designed comedy/tragedy masks lying on a sheet of blue velvet. When the album was released in the US, it was given a new cover depicting a pair of stylized "comedy" and "tragedy" masks (which the band used as a visual motif in their early years) against a blue marble background. Alternate Album Cover: The original UK cover for Who's Afraid of the Art of Noise? depicts a photo of a facepalming statue atop a black marble backdrop.Re-Works of Art of Noise (1987) note Blend of a Remix Album and a Live Album.At the End of a Century (2015) note Consists of the unreleased album Balance - Music For The Eye, the "Producer's Cut" of The Seduction of Claude Debussy, and the video collection The Image of a Group at the End of a Century.Influence: Hits, Singles, Moments, Treasures (2010).And What Have You Done with My Body, God? (2006).Bashful / Belief System / An Extra Pulse of Beauty (1999).Daft (1986) note Expanded version of Who's Afraid of the Art of Noise? that includes selections from the Into Battle EP and the "Moments in Love" remix single.
Balance - Music For The Eye (2015) note First included in the At the End of a Century compilation before seeing a standalone digital release at the start of 2022.
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Who's Afraid of the Art of Noise? (1984). Into Battle with the Art of Noise EP (1983). Since 2017, Dudley, Jeczalik and Langan have been doing short-run tours to promote reissues of some later albums, which have otherwise been deleted for decades. After the release of the band's first EP, Into Battle With the Art of Noise, and first full-length album Who's Afraid of the Art of Noise, an acrimonious split occurred and Jeczalik, Langan and Dudley moved on to China Records Langan himself left the band in 1986 leaving Jeczalik and Dudley as a duo, who eventually split in 1989.įinally, the band reformed with Horn, Dudley, Langan and Lol Creme (formerly of 10cc) to record and release The Seduction of Claude Debussy in 1999- this was then adapted into the music for the London new millennium fireworks on the River Thames, shortly before the group finally disbanded. The team was originally brought together to create a remix of Yes' "Owner of a Lonely Heart", and were so satisfied with the results that they decided to turn the experiment into a full-time project. The core members of the band were composer Anne Dudley, programmer JJ Jeczalik and engineer Gary Langan, these being Trevor Horn's Production Posse in the original incarnation, they were joined by Horn himself and the music writer Paul Morley. While not the inventors of their craft, they are notable for helping codify many aspects of synth-pop, hip-hop, and electronica which are now ubiquitous, including the extensive use of Sampling and the sequencing of drum beats using a sampler. were an influential avant-garde Synth-Pop/ Instrumental Hip Hop group which existed between 19, and then briefly in 1999 with a different line-up. (The) Art of Noise note The band and their labels used the definite article interchangeably throughout their existence, with no real rhyme or reason to which one is used.
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